The most widespread rituals of worship today are of the Aagamic variety. The Agama methods are worship of images of God through rituals (Tantra), symbolic charts (Yantra) and verbal symbols (Mantra).Agama regards devotion and complete submission to deity as fundamental to pursuit of it aim; and wisdom, enlightenment (jnana) as that which follows eventually by the grace of the worshipped deity. The approach of Agama is basically dualistic, seeking grace, mercy and love of the Supreme God represented by the personal deity, for liberation from earthly attachments (moksha).
Vaikhanasa worship is considered more Vedic, the mantras being Sanskrit based and there is a greater emphasis on details of worship rituals and yajnas.Vaikhanasa follow the lunar calendar.
The Vaikhanasa is the only group among temple-priests to have a kalpa-sutra of their own. They translate in to practice the Vedic dictum that Agni is the lowest of the gods (in the sense being visible to the human eye) and Vishnu, the highest and that therefore the worship of these two effectively means the coverage of the worship of all the gods in whom the Lord is the indweller.
A ritualistic application of the comprehensive and pervasive character of Vishnu can be seen in the custom prevalent in the Vaikhanasa temples of having three idols in addition to the main and immovable stone idol in the sanctum (DhruvaBimbam). The main idol represents in reality Vishnu , possessed of all the powers of divinity and properly installed as a deity (archA). Even as the Veda speaks of 'the three strides' that Vishnu took ('trIni padA vichakramE Vishnuh'), the main idol in the temple also makes three strides represented by three other idols, thus making for pervasion and comprehension.
In the First stride, the main idol is Vishnu, who is being all-pervasive, does not move about. When the presence of Vishnu crystallizes itself for the sake of receiving worship from the devotees, the spirit of the main idol moves out into 'kautuka-beram', which rests on the seat of worship (archA-pItha).
In the Second stride, as the sequence of worship necessitates such rites as administering a bath, the spirit of the main idol moves into the 'snapana-beram', which is placed in the enclosure for bath (snapana-mandapam) which is outside the sanctum.
In the Third stride, is represented when the 'autsava-beram' is taken out in procession (utsava) along the corridors of the temple-enclosures or on the streets of the township. The spirit of the main idol now reaches beyond the confines of the temple.
To these three is usually added another idol known as 'bali-beram', for the sake of distributing food daily to the attendant deities located in the enclosures.
So the Vaikhanasas have the rites beginning with those connected with birth and ending with the rites regarding death and cremation ('JatakadiSmasanantham').
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